About this episode
We’re back in New York! Kim sits down with Dia Art Foundation curator Matilde Guidelli Guidi. The two unpack the central question of what a curator truly is and the work that they do to take an artist’s ideas into reality. Covering Dia’s programming (encompassing both changing and permanent sites and the work of a focused group of artists across the 1960s and 70s), Kim and Matilde chat about the process of realizing works sited in the natural landscape, the complexities of pulling off year-long exhibitions, and reimagining the gallery as a discursive and community space. Finally, Matilde gives us an overview of one day in a curator’s life (and it’s jam-packed, as you might expect)!
Mentions:
Matilde Guidelli Guidi;
Dia Art Foundation;
Leslie Hewitt;
Mario Merz;
Senga Nengudi;
Cameron Rowland;
Meg Webster;
Jack Whitten;
Walter De Maria;
Max Neuhaus;
Joseph Beuys;
Musée du Louvre;
Paula Cooper Gallery;
Whitney Museum of American Art;
Artists on Artists Lecture Series;
Lynne Cook;
Dia:Beacon;
Steve McQueen;
Museum of Modern Art (MoMA);
Christian Marclay;
The Clock (Christian Marclay);
Venice Biennale;
Lucy Raven;
Martine Syms;
The Lightning Field (Walter De Maria);
Dan Graham;
Robert Irwin;
Louise Lawler;
Bird Calls (Louise Lawler);
Randy Gibson;
Bridget Donahue Gallery;
Jordan Carter;
Ella den Elzen;
Kim Golding.
